Tonight: Misery (1990)
So, when I plan out these marathons, I generally try to find movies on streaming to watch. So far it has worked out fairly well with me only having to purchase a few movies here and there.
Unfortunately there are VERY few Stephen King movies available for streaming. On the other hand, due to Stephen King movies being popular, they are available at my local library.
The reason Pet Semetary remake was on the top of the list was because it was the first one I checked out. I figured it would be in high demand come October, so I got it out mid September. I also started pulling a bunch of movies out shortly after. If no one places a hold on the movie, it auto-renews.
Well, somebody else apparently wants to watch Misery. Sick bastard.
So I haven’t read the book. But like most of King’s more famous works, it has been referenced in MANY tv shows and movies.
My only dream is that one day one of my readers finds me half dead on the side of the road and threatens to kill me if I don’t change one of my reviews that she, or much more likely he, doesn’t agree with.
The hobbling scene keeps popping up on various lists as one of the more horrifying scenes in cinema. In fact, it gets shown on so many watchmojo lists and the like that I am sure they cut away before the REALLY gruesome scene happens. Well, I am somewhat disappointed. I steeled myself to witness a truly cringeworthy scene.
It was okay. In fact, you only see one ankle go sideways. The next one you just hear the crunchy audio. I was expecting bone to pop out. However, I’ve seen the scene so many times that I was largely desensitized to it when I actually saw it in context.
I was hoping for something like the Red Wedding. When everyone was shocked and talking about the Red Wedding, I went and watched it out of context. My thought was, “Meh, I’ve seen redder weddings.” Then I finally decided to watch Game of Thrones and with the context it was just gut wrenching.
But then again, I didn’t know the characters. With Misery, you kind of pick up on the context fairly quickly.
The ending was interesting. Paul writes the ending that Annie Wilkes wants, but burns it before she can read it. Then Paul smashes her over the head with a typewriter. Doesn’t take. Then he smashes her head on the typewriter. Seems to take, then doesn’t. Finally he smashes her head in with a pig statue. Seems to take this time.
Then we skip over how he escapes the middle of nowhere and he’s written a new book, but sees Annie Wilkes everywhere he looks.
Honestly, it is a great movie. Kathy Bates is a national treasure. You know, the one you lock away and dare not touch lest your family be cursed for 19 generations. I don’t think I’ve ever been disappointed in a Kathy Bates role (but I’m sure if you give me some time I could find one).
Well, all the other movies have quite a while before they need to be returned, so nothing URGENTLY needs to be chosen, so what should I do tomorrow. .
Tomorrow: So we go from an author nearly dying because he tried to kill of his fictional character, what happens when an author nearly dies while trying to kill off his fictional author?